Gas Station Dance Tutorial: How to Film It Shot by Shot
Film the gas station dance trend yourself: the three shots, who stands where, the moves in each shot, the light and how to cut it to 15 seconds.
Updated Oct 10, 2026
The gas station dance is not a choreography you have to learn. It is a 15-second, three-shot format copied from a 2024 road-trip clip filmed by Russian blogger Mikhail Litvin with his friends Ravshan and Adel Veigel at a gas station stop. Get the three shots right and the video reads as the trend. Here is how to film it, with a shot list, phone settings and the mistakes that make a remix look off.
What you need
- Three people (or one person filmed three times): a dancer, someone for the selfie and someone to step out of the car. A fourth person to hold the camera makes shots 1 and 3 much easier.
- A car and an open lot or quiet forecourt next to it.
- Low, warm light: sunset or just after. The trend's look is golden hour or a dusky sky with lights coming on.
- A phone filming vertically at 9:16. Clean the lens.
- About 30 to 45 minutes. The light changes fast at dusk, so plan the shots before the sun goes down.
The shot list
Print this or keep it open on a second phone. Film each shot for longer than you need (10 to 20 seconds) so you have room to cut on the beat.
| Shot | Who | Framing | Camera move | Final length |
|---|---|---|---|---|
| 1. Dance | Dancer | Full body, head to toe, cars behind | Slow drift or half circle, from about chest height | About 6 s |
| 2. Selfie | Second person, holding the phone | Face close, station or sky behind | Handheld, slightly tilted, small natural shake | About 4 s |
| 3. Car exit | Third person | Whole car door in frame, then full body | Slow push in, then pull back, one take | About 5 s |
The lengths are a guide, not a rule. Cut where the beat tells you to.
Shot 1: the dance by the cars
The dancer stands in the open next to the parked cars and freestyles: loose sways, shoulders and arms, building up to raising both arms high. Keep it relaxed rather than precise; the charm of the original is that it looks spontaneous. Film full body, from a little below chest height, and let the camera drift or circle slowly rather than staying locked off.
Play the song out loud while you film so the dancer moves on the beat. Leave a little space above the head and below the feet; you will lose some of it if you crop later.
Shot 2: the front-camera selfie
Switch to the front camera. The second person holds the phone at arm's length, face close to the frame, with the station or the sky behind them. A grin, a nod to the beat or a quick hand gesture is enough. Hold the phone slightly tilted; it should feel handheld.
Face the light, not away from it. With the sunset behind you, your face goes dark and the phone exposes for the sky.
Shot 3: the step out of the car
The third person opens the car door and steps out in one take, then dances in place by the open door, hands clasped together, while the camera pushes in slowly and then pulls back. Film from a few steps away so the whole car door is in frame when they first appear.
Do a dry run first. The door, the step and the camera move have to happen in one smooth take, and most people need two or three tries.
Phone settings that help
- Resolution: 1080p or 4K at 30 fps is plenty. You will export at 1080 × 1920 anyway.
- Main camera for shots 1 and 3. The back camera is sharper, especially in low light. Use the front camera only for the selfie.
- Lock focus and exposure. On most phones you tap and hold on the person to lock them, so the picture does not pump brighter and darker as the camera moves.
- No digital zoom. Walk closer instead. Zoomed footage gets soft and noisy at dusk.
- Keep stabilisation on and hold the phone with both hands, elbows in. Move your whole body, not just your wrists.
- Turn on the grid to keep the horizon and the car level.
Cut it to 15 seconds
- Trim each shot to roughly a third of the clip. The dance usually runs a little longer than the other two.
- Put them in order: dance, selfie, car exit.
- Add the song and move each cut onto a beat. See which song the trend uses and how to add it.
- Export at 1080 × 1920 and skip filters that crush the sunset colours.
Common filming mistakes
- Filming too late. Ten minutes after sunset the sky is still nice, but faces turn grainy. Start while there is still warm light.
- Filming horizontally. Cropping a horizontal clip to vertical cuts off heads and feet. Hold the phone upright from the start.
- A locked-off camera. A phone on a tripod makes the dance look stiff. The trend's camera always moves a little.
- Over-rehearsed moves. Tight choreography misses the point. Loose and a bit goofy reads better.
- Cutting off the beat. If a cut lands between beats, the whole remix feels wrong. Nudge it a few frames.
- Heavy filters. They flatten the sunset and make skin look orange. A light touch or none at all.
Filming at a gas station: stay safe and polite
- Park away from the pumps and never block a pump or the exit.
- Keep clear of moving cars; film in a quiet corner of the lot.
- Ask staff before filming on private property, and do not film other customers without asking.
- Never dance on the road or the forecourt lanes.
- An empty parking lot works just as well. The dance needs open space and cars, not pumps.
The AI route in short
On gasstationdance.app you upload a full-body photo for the dance, a clear face photo for the selfie and a full-body photo for the car exit, or tap Use one photo for all three shots. A 15-second video costs 100 credits at 720P or 150 at 1080P, and you can see the packs on the pricing page. The AI how-to with screenshots walks through every step, and the photo guide shows which photos work best.
Learn the format by watching it
The fastest tutorial is the original and its remixes. Watch them back to back in our gas station dance video collection and read how the trend started and how it is built. When your clip is ready, here is how to post it on TikTok.
FAQ
Can I film it alone?
Yes. Prop the phone up for shots 1 and 3, or film yourself three times, once per shot. You lose the slow camera move, so keep the dance loose to make up for it.
Does it have to be a gas station?
No. A car and an open lot at dusk carry the look. A station in the background of the selfie is a nice nod to the original.
Do I need to learn the moves?
No. Sways, shoulders and arms going up are enough. The point is that it looks spontaneous.
Make your gas station dance video
Three photos in, a 15-second clip out. No filming, no car, no crew.
Open the generator